a5c7b9f00b SON OF RAMBOW is the name of the home movie made by two little boys with a big video camera and even bigger ambitions. Set on a long English summer in the early &#39;80s, SON OF RAMBOW is a comedy about friendship, faith and the tough business of growing up. We see the story through the eyes of Will, the eldest son of a fatherless Plymouth Brethren family. The Brethren regard themselvesGod&#39;s &#39;chosen ones&#39; and their strict moral code means that Will has never been allowed to mix with the other &#39;worldlies,&#39; listen to music or watch TV, until he finds himself caught up in the extraordinary world of Lee Carter, the school terror and maker of bizarre home movies. Carter exposes Will to a pirate copy of Rambo: First Blood and from that moment Will&#39;s mind is blown wide open and he&#39;s easily convinced to be the stuntman in Lee Carters&#39; diabolical home movie. Will&#39;s imaginative little brain is not only given chance to flourish in the world of film making, but is also very handy when it comes to dreaming up elaborate schemes to keep his partnership with Lee Carter a secret from the Brethren community. Will and Carter&#39;s complete disregard for consequences and innocent ambition means that the process of making their film is a glorious roller-coaster that eventually leads to true friendship. They start to make a name for themselves at schoolmovie makers but when popularity descends on them in the form of the Pied Piper-esque French exchange student, Didier Revol, their unique friendship and their precious film are pushed, quite literally, to breaking point. During a long English summer in the early 1980s, two schoolboys from differing backgrounds set out to make a film inspired by <a href=">First Blood (1982). I had heard about this movie when it was circulating through the indie circuits, and thought the premise sounded interesting. Also being a fan of Rambo drew me to it. The most deceiving thing about this film is both of the aforementioned things. The premise seems funny and lighthearted, but really to me this was much more in tune with a dramadey rather than a straight up comedy. I wanted to laugh and have fun with this movie but there was just way too many dramatic parts. I&#39;m not against giving some weight to comedies (hey it works great in Judd Apatow films), but here it just feels like a majority of the plot. Not to mention Jessica Hynes, who plays the mother, is completely wasted herea staunch religious quaker type, who you really hate at some parts. There are also several subplots that get in the way and draw out the film too much. Also if you detest 80&#39;s glam like I do then you should simply skip the early scenes with the french kid, complete waste of time. The best part of this film is the end. It has a very nice heartfelt ending, but it feels like a little too late at this point. I wanted to like this film, but I simply couldn&#39;t. An endearing, feel-good (unless you&#39;re Plymouth Brethren!), 1980&#39;s nostalgia fest. A bit of a cross between &quot;Kes&quot; &amp; &quot;Gregory&#39;s Girl&quot;. If you haven&#39;t watched either of those 2 films - or if you have watched them and didn&#39;t like them - then I doubt whether this film will do much for you.<br/><br/>If you can&#39;t relate to being in awe of a &#39;cool&#39; French exchange student; or the thrill of being allowed in the hallowed ground of a 6th form common room; or dancing to The Cure, Duran Duran &amp; Gary Numan, then you&#39;re unlikely to feel much of a connection with the characters in this film. It has so many uniquely 1980&#39;s British cultural references I suspect a lot of overseas audiences will be left just scratching their heads.<br/><br/>I also don&#39;t understand why they had to have so much bad language &amp; blasphemy in it otherwise it would have been a really good family film. Why do British film producers do that? :o( A sweetly raucous adventure. Widely quoted comparisons to "Billy Elliot" and Tim Burton overstate the case for what is really a modestly eccentric entertainment. Son of Rambow is based on a screenplay that was written by director Garth Jennings. It was inspired by Jennings&#39; own experiencesa child in the 1980s, when video equipment first became available to the public. No. Son of Rambow isn&#39;t about Rambo; rather, it&#39;s about young boys who are inspired to make their own video after having seen <a href="/title/tt0083944/">First Blood (1982)</a> (1982). Apparently, the spelling had to be changed because of problems with copyright infringement. It is also a way of communicating to moviegoers that the film is not part of the Rambo series, which it would have seemed at first glance if spelled correctly. The &quot;mistake&quot; is acknowledged in a brief dialogue between the film&#39;s two protagonists at the end of the credits. In England education is compulsory until the age of 16, but many students stay on until they are 18. The school years when a student is 16 (or 17) and 17 (or 18) are respectively called the lower and upper sixth form (or year 12 and 13). Many schools have separate buildings for these years, and nearly all have common rooms for sixth-formers. The common room is an area where pupils can spend time when they don&#39;t have classes. Younger years will generally not have any free periods and so don&#39;t need such a facility; it therefore emphasizes the boys&#39; new-found popularitythey normally wouldn&#39;t have been allowed in. Several people have noted that Son of Rambow reminds them of Stephen King&#39;s <a href="/title/tt0092005/">Stand by Me (1986)</a> (1986) in the way that it provides a nostalgic look at the camaraderie, the coming of age, the bittersweet vulnerability, and the fantastic humor of childhood. <a href="/title/tt0095765/">Nuovo Cinema Paradiso (1988)</a> (1988) has similar themes. If you are looking for a similar British style then try <a href="/title/tt0366777/">Millions (2004)</a> (2004). The similar theme of children working on a project together but experiencing a schism is presented in <a href="/title/tt0114040/">Once in a Blue Moon (1995)</a> (1995). The first song is &quot;Over and Done With&quot; by The Proclaimers; the second song is &quot;Rebel Rebel&quot; by David Bowie. 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